Intentar ORO - Gratis

WHERE'S ELVIS?

The New Yorker

|

March 17, 2025

Bandits grabbed a kitschy plaster bust. Was it a theft or a liberation?

- BY ZACH HELFAND

WHERE'S ELVIS?

When someone stole the Great Jones Street Elvis, a few years ago, a lot of people viewed it as a sign that the old East Village was officially dead. The Elvis was a chalk-plaster bust that had stood in the window of 54 Great Jones for thirty-seven years. It started out in the Great Jones Café, a gathering spot for the downtown arts scene in the eighties, and after the café closed, in 2018, it continued on in a new restaurant there called Jolene.

The theft was unusually brazen. “It was a busy night,” Vishwas Wesley, Jolene’s general manager, told me. “I see these two people kind of push past my maître d’.” There was a woman wearing a Covid mask and a black coat, and a man in a jacket and a fedora with a little feather. “They didn’t look like subway creatures who had just stormed in,” Wesley said. They looked as if they might be senior citizens. The woman made straight for Elvis and took off. Wesley set down a tray of glasses he was carrying and gave chase. “I’m not very proud to say, with the age difference in mind, that she outran me,” he said. Curiously, the man in the fedora and a younger female accomplice who’d waited on the sidewalk didn’t seem to be in a hurry. After the older woman made a run for it, they stood outside the restaurant, giggling.

“When I approached them, they thought it was the funniest thing ever,” Wesley said. The older woman had disappeared with the statue. To deescalate, Wesley offered to buy the man and the younger woman a beer and talk things over. They declined. The man gave Wesley a parting message: “Tell your owner the statue is mine.”

The New Yorker

Esta historia es de la edición March 17, 2025 de The New Yorker.

Suscríbete a Magzter GOLD para acceder a miles de historias premium seleccionadas y a más de 9000 revistas y periódicos.

¿Ya eres suscriptor?

MÁS HISTORIAS DE The New Yorker

The New Yorker

The New Yorker

WRECKAGE

“F1,” “Sorry, Baby.”

time to read

6 mins

June 30, 2025

The New Yorker

The New Yorker

COLLECTIVE PUNISHMENT

Why is Donald Trump upending America's commitment to NATO?

time to read

38 mins

June 30, 2025

The New Yorker

The New Yorker

WHEN TO QUIT

Haim sets off on a rampage.

time to read

7 mins

June 30, 2025

The New Yorker

The New Yorker

THE DESCENDANTS

How a spike in second-generation players is changing the N.B.A.

time to read

23 mins

June 30, 2025

The New Yorker

The New Yorker

BACH'S COLOSSUS

Pygmalion's visceral rendition of the B-Minor Mass.

time to read

5 mins

June 30, 2025

The New Yorker

The New Yorker

SEEDS OF DOUBT

Can agricultural innovation outpace our growing appetites?

time to read

13 mins

June 30, 2025

The New Yorker

The New Yorker

CARE AND FEEDING

Hugh has a hip operation.

time to read

15 mins

June 30, 2025

The New Yorker

The New Yorker

HARDCORE DEPT. PAST LIVES

A candidate meets voters wherever they can. The other day, Justin Brannan, a burly Democratic city councilman from Bay Ridge who's running to be the Party's nominee for city comptroller, surprised one constituent by opening a papered-over door at a vacant retail space in Tribeca.

time to read

3 mins

June 30, 2025

The New Yorker

The New Yorker

PICK THREE

Jennifer Wilson on three new poetry books.

time to read

1 mins

June 30, 2025

The New Yorker

The New Yorker

TRUTH AND BEAUTY DEPT. NEVER TELL ME THE ODDS

On the morning of the New York premiére of the new sci-fi movie “The Life of Chuck,” in which Mark Hamill plays a grizzled, alcoholic, math-loving accountant, the actor visited MoMath, the National Museum of Mathematics, near Madison Square Park. Hamill has accurately described his look in the film—white hair, walrus mustache, sweater vest—as “Geppetto.”

time to read

3 mins

June 30, 2025

OSZAR »